Kelvin Díaz Inoa is a cellist acclaimed for his expressive artistry, technical mastery, and vibrant stage presence. Born in San Juan, Puerto Rico to Dominican parents, Kelvin’s musical journey began at age seven, setting him on a path that bridges tradition, innovation, and cultural connection.
A graduate of California State University, Fresno (BM and MM in Cello Performance under Dr. Thomas Loewenheim), Kelvin has further honed his craft through masterclasses with celebrated cellists including Lynn Harrell, Arto Noras, Johannes Moser, Jesús Morales, Peter Bruns, Thomas Landschoot, and Emilio Colón. His performances as a soloist, chamber musician, and orchestral leader have earned top honors—including victories in the Puerto Rico Symphony Orchestra Concerto Competition, the Kutztown University Chamber Music Competition, and multiple ASTA and CalASTA awards.
Kelvin’s career encompasses principal and guest roles with the Sequoia Symphony Orchestra, Fresno State Symphony Orchestra, Orquesta de Cámara de San Juan, Lancaster Symphony, and Black Pearl Chamber Orchestra, as well as appearances at the Casals Festival and with the Puerto Rico Sinfonietta. As an educator, Kelvin is deeply committed to mentorship and community engagement, having taught at Fresno City College, United Conservatory of Fresno, Youth Orchestras of Fresno, FOOSA, Arconet, and through outreach with Música Sin Barreras and the 100 x 35 music program. He now maintains a vibrant online teaching studio.
Kelvin was first invited to teach during CMI's first summer program in 2016 in San Antonio. Now, Kelvin is an Artist Faculty at CMI's Ascend program.
Kelvin also performs with leading ensembles across the East Coast, bringing his signature warmth and collaborative spirit to every stage. Inspired by the rich rhythms and heartfelt traditions of his Puerto Rican and Dominican heritage, Kelvin believes in the power of classical music to build bridges and celebrate community. He welcomes every opportunity to connect, share, and create meaningful collaborations—inviting others to join him in making music that resonates far beyond the concert hall.
